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Past Crimes
A Ros Green Paranormal Thriller

Carol Matas's first book for adults is a short, snappy, fast-paced thriller with a paranormal twist.

After the shocking murder of her husband, Ros and her baby relocate to her childhood home to live with her parents. Palm Springs, California—full of sunlight, small and safe—should be the perfect place to bring up a child. But things are not always as they appear. 

Soon, an unexpected tragedy sets a dangerous series of events into motion. Someone, it seems, is out to get Ros. As she struggles to uncover the identity of her mysterious enemy, Ros finds herself looking for answers in the most unusual places. Could the attacks have something to do with her increasingly disturbing dreams? And how many people close to her need to get hurt before she figures it out?

Availabe in ebook only for just $4.99 USD:
Kindle (ISBN: 978-1-927663-27-1)
ePub (ISBN: 978-1-927663-28-8)
PDF (155 pages, ISBN: 978-1-927663-29-5) 

"In Past Crimes Carol Matas also gives us more: in a world where past and present blend, her characters must learn to confront and struggle against cruelty and intolerance, which return like bad dreams and take many forms." Read the full review by mystery writer Anna Dowdall

"GRIPPING! Carol Matas's Past Crimes is a real page-turner, the kind of book you can't put down. Suspense, romance, murder, and mayhem, but so much more than that. It's a whodunit with a twist, with past lives, reincarnation, the Spanish Inquisition, and Fate added to the mix. It's a wild ride, thoroughly enjoyable, and highly recommended." Manuel Matas, author of The Borders of Normal: A Clinical Psychiatrist De-Stigmatizes Paranormal Phenomena


October Ferries to Gabriola
Inspired by the life of British novelist Malcolm Lowry

October Ferries to Gabriola is inspired by the life of the notorious British novelist, Malcolm Lowry, author of the 20th century masterpiece, Under the Volcano. Playwright Charlotte Cameron mixes fact and fiction, moving back and forth in time from 1946 to the present day, juxtaposing the lives of Lowry and his second wife, Margerie, with the plight of a contemporary couple. Both couples come to Gabriola Island, British Columbia, seeking refuge, a place to live, write and love, a place of redemption and hope, creativity and rebirth. Both couples are dealing with similar troubles: alcoholism, tragedy and homelessness, hopelessness, guilt and angst. In this powerful drama, Cameron raises a host of existential questions and explores our endless quest for a paradise on earth.

"Playwright Charlotte Cameron has taken Malcolm Lowry’s unfinished novel, October Ferry to Gabriola, a barely fictional account of his and his second wife’s visit to the island, as a theme for his pursuit of an ideal place both for creativity and redemption. She cleverly overlaps Lowry’s story with that of a similar, but contemporary couple—both alcoholic husbands with a guilt in their past and desperately supportive wives. Cameron’s alternative tellings of the two couples’ search comes to a final climax as their four voices almost over-layer. Her brilliant dialogue, as in all good dramas, raises questions; questions about possible redemption and this never-ending quest of ours for Paradise on Earth."—Naomi Beth Wakan, Inaugural Poet Laureate of Nanaimo and author of On the Arts

"While mixing fact and fiction, Charlotte Cameron concurrently spins the wheel of time backward to 1946 and forward to the present day. In this way, she deftly highlights Malcolm and Margerie Lowry’s dream of finding sanctuary and renewal on Gabriola Island while simultaneously illuminating the plight of a similar contemporary couple. Themes such as alcoholism, angst, eviction and homelessness, guilt, hope, and love reverberate throughout this provocative drama."—Sheryl Salloum, author of Malcolm Lowry: Vancouver Days




The Story Behind the Play

In 2005, Charlotte and her husband moved from Edmonton, Alberta, to Gabriola Island, BC, where she became fascinated by the life of Malcolm Lowry, the famous author of Under the Volcano. Everywhere she went on the island, she encountered copies of Lowry’s novel, October Ferry to Gabriola, and got bitten by a bug to tell a little-known story, that of the visit of Malcolm and Margerie Lowry to Gabriola in the fall of 1946.

Cameron identified with the Lowrys’ search to find a home where they could live, love and write. She invented a contemporary couple whose lives mirrored the lives of Margerie and Malcolm and juxtaposed the stories of the two couples in her play. October Ferries to Gabriola was first performed as a reading at The Roxy Theatre on Gabriola in 2009, followed by another reading in 2011 at the 7th Annual Poetry Gabriola Festival. In 2013, October Ferries to Gabriola was again presented as a reading at the 2013 Conference, Island Studies: West Coast & Beyond at The Haven, on Gabriola.

In October 2016, the final and published version of the play was performed twice, to sold-out houses, at Surf Lodge (formerly Anderson Lodge), where the Lowyrs had stayed in 1946. These performances were part an organized 70th anniversary celebration of the Lowrys' visit to Gabriola.

The Ape & the Peacock by Ralph Hancox

"Malfeasance! Why that's preposterous. If there was anything to it at all, it would be merely a bit of departmental muddling.

Was it credible that he could be thought a crook and a swindler? Patently, the answer was no. He had not received one cent for his trouble. In private industry, the work he had done on this enterprise alone would have made him a rich man two or three times over. All he had received was an annual stipend of a measly $12,500. He could make more managing his tannery."

It’s 1957 in the fictional Canadian Province of Superior. In the span of just a few days in November, the lives of several high-level government officials and a colourful cast of “destitutes” are about to change forever.

In this penetrating social commentary by the author of Con Job and Scandalous, wrongdoings lead to shockingly unequal consequences for the privileged and the dispossessed.

Buy it now in trade paperback. Just $17.99 USD
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Our readers say:

"I loved this book. Although set in parochial Canada, the themes are universal. The author's sense of social indignation and his distaste for political hypocrisy are the background to two juxtaposed story lines, but the characterisations and the story-telling are sure-footed and the two extremes of the same world are skilfully contrasted. Above all, the book is well written and with a delightfully wry humour." SNM. Devon, England.  5-star review on

"Some funny business in the stock of Consolidated Coal & Oil has finally caught the attention of the leader of the socialist party and the local newspaper editor, putting the eponymous “peacock,” Willy Trundle, a prominent provincial cabinet minister, on the defensive. Meanwhile, petty criminal Gutsy Timworth, the “ape” of the story, has trouble all his own. Like all morality tales, the characters in this fictional Canadian province get their just desserts. Or do they?" Heather Samuel.  4-star review on

"Hancox's fictional town of Turnerville in the fictional province of Superior appears to be located not far along the trans-Canada literary highway from Stephen Leacock's Mariposa and Robertson Davies' Salterton, populated with archetypal Canadian characters, architecture and attitudes. Then the light satirical touch of the opening chapter opens into a tragicomic morality tale of human frailty and the corrupting effect of even a little power. Within a couple of days in 1957 a provincial cabinet minister Willy Trundle, and a homeless deadbeat Gutsy Timworth face the consequences of what had seemed like venial sins. Hancox may want to demonstrate that 'wrongdoings lead to shockingly unequal consequences for the privileged and the dispossessed,' but undermines his intended 'penetrating social commentary' by making Willy a sympathetic character in spite of himself. Gutsy is obviously doomed from the start and we know right away there is nothing we can do for him. There are a few thoroughly nasty minor characters, but Willy's nemesis, the opposition politician Burnley Gordon, disarmingly admits: 'Nobody likes me, I've got soup stains on my tie. I smell in the hot weather. I'm a thorn in the flesh...' Some strong women try to hold things together: Willy's wife Challis, his mistress Lillian, his daughter Cynthia and daughter-in-law Elaine, and Gutsy's tragically over-the-top 'friend' Hattie. Considering that he sets this tale of good and evil in small town Canada of 60 years ago, Hancox holds out surprising hope for the younger generation. Or maybe he is being ironic? An enjoyable and thought-provoking read." Phyllis Reeve. 4-star review on

"Not your usual read. The style of writing does a great job of putting you in the 1950's context. The main story revolves around Willy, a politician (the peacock) and Gustsy, a homeless man (the ape), and how they both deal with the consequences of poor choices. It also has compelling secondary characters who come to interact with them and their perspectives on the unfolding events. Worth your time!" 5-star review on

The Fabubestan Exposés... Intrigue, Scandal, Murder & Mayhem
by Ralph Hancox

Gregor "Legs” Morowitz, on parole and virtually destitute, is offered his old job back at a Canadian boutique documentary and advertising company. The owners want him to head the team investigating the illegal drug trade in North America for a new TV documentary series, Look at the Evidence.

As production begins, Legs faces awary, even hostile, crew, and then a series of personal setbacks. At the same time, the company finds itself battling unknown enemies on multiple fronts, forcing theowners to take decisive, but sometimes wrong-headed action.

In Book I of The Fabufestan Exposés, it becomes increasingly clear that things are not quite as they appear, and to get at the truth, they must all look hard at the evidence.

Buy Con Job now in trade paperback.

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Human trafficking, a sex scandal, political intrigue and murder—things start to boil over in Book II of The Fabubestan Exposés.

Led by the unassuming ‘Legs’ Morowitz, Fabufestan’s script crew soon discover that the subject of their latest TV documentary has morphed into three separate issues: human trafficking, people smuggling and bogus refugees. To expose the horrors of this triple scourge, they have to convince their bosses to take on more financial risk to let them produce three, one-hour episodes, instead of the planned one-hour program.

Meanwhile, the new provincial government is reeling from its first political crisis: a high-profile sex scandal involving three of its elected members, charged with sex tourism and trafficking under-age Thai prostitutes to Canada. The premier entrusts Angus McRossie, her Minister for Democratic Action, with crisis management. His wife objects to his involvement in such a sordid matter, and McRossie’s personal life and political career start to unravel from there.

Buy Scandalous now in trade paperback.

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A One-Act Play Inspired by the Life of a WWI Cree Hero and Running Warrior

Attention Teachers: Appropriate for Grades 5 and up.

Meticulously researched, this play brings Alex Decoteauthe man, his life, his death before us. A man of ability, ambition, and integrity. At root: a true warrior, and one who was ultimately sacrificed on the altar of futile tactics.” Major (Retired) David Haas, CD, rmc

“Charlotte Cameron touches on major issues which drive us now: race, gender, family, colonialism, Canadian identity, and the horrors of war. Cameron's juxtaposition of actual and imagined words and events, and her introduction of significant mundane objects  a pencil box, a policeman's cap, a watch  inspire our affection for Alex and move us to tears as he runs from the North Saskatchewan River floods to the mud and blood of Passchendaele.” Phyllis Reeve, contributing editor to The Dorchester Review

Running: the Alex Decoteau Story tells the tale of a real Cree hero, brought to life in this moving one-act play by Charlotte Cameron. In 1911, in Edmonton, Alberta, Decoteau became Canada’s first aboriginal police officer, famous for chasing down speeding vehicles on foot to ticket them! A champion runner and popular figure, he raced for Canada at the 1912 Olympics in Stockholm. He fought for Canada in World War I and was killed, in 1917, while running a message at the Battle of Passchendaele. He was only 29 years old.

The book includes an historical note and archival photographs to provide background to the story. A fascinating introduction explains the origins of the play, its various versions, and the Alex Decoteau Run, which brought this aboriginal role model to the attention of many hundreds of Edmonton school children over the 10 years that the event was held.

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"A morality play in which the part of Everyman is played by a First Nations survivor of the residential school system..."

Charlotte Cameron touches on major issues which drive us now: race, gender, family, colonialism, the Canadian identity, and the horrors of war. Running; the Alex Decoteau Story may be seen as a morality play in which the part of Everyman is played by a First Nations survivor of the residential school system who is also an Olympic runner, an Edmonton police officer, a son, brother, lover and friend—and a casualty of World War 1. But it is also a very specific story of a real person who is never merely a symbol. Cameron's juxtaposition of actual and imagined words and events, and her introduction of significant mundane objects—a pencil box, a policeman's cap, a watch—inspire our affection for Alex and move us to tears as he runs from the North Saskatchewan floods to the mud and blood that is Paschendale.

—Phyllis Reeve writes about local and personal history.
She is a retired librarian and bookseller, and a contributing editor to
The Dorchester Review.


"A role model for Aboriginal youth..."

The title of this play has a double meaning. Alex Decoteau was not only a champion foot racer, he served in the army as a regimental runner. In an era before radio existed for infantry battalion communications, and with telephone lines being susceptible to being cut or tapped into, messages between the levels of command were carried by hand—the duty of a soldier called a “runner.” This was hazardous duty in the extreme, and performing it is how Alex Decoteau died.


He fell nearly a hundred years ago, in the cauldron of the Battle of Passchendaele, the worst of Field Marshal Haig’s repeated failing offensives along the Western Front in Belgium and France. He lies nearby, at the Passchendaele New British Cemetery which contains about 2,101 graves and commemorations from the late 1917 fighting in the area. At least he has a known grave. Only a quarter of the bodies in that cemetery are identified. Visitors to Canada’s cemeteries in northwestern Europe are often jolted by how many of the gravestones do not also display the name of the warrior beneath. Even so—their bodies were found. Many others who died were buried hastily and their graves lost. Still more vanished in horrifying explosions which buried them beyond location, or left little or nothing to be found.


At the time of his enlistment on April 24, 1916, at age 28, Alex Decoteau was already a man of public accomplishment: an Aboriginal at a time when racist sentiment in Western Canada was strong and open, he had joined the Edmonton City Police and risen to the rank of Sergeant. A top calibre long distance runner, he had won a place on Canada’s team for the 1912 Olympics in Stockholm. It may be added that his army enlistment was voluntary—Canada did not have conscription at the time, and when it did later his police status would have exempted him.


Playwright Charlotte Cameron brings out that Alex would have felt internal pressure to join up—for he came from a warrior tradition. But there were external psychological pressures on younger men to enlist, among them the practice Cameron mentions of women presenting younger men in civilian clothes with a white feather denoting cowardice. I once read that young officers in a London office of the British secret service, who went about their duties in civilian attire, kept on a mantelpiece a collection of white feathers they had been given in the streets. That noxious stigmatizing seems to have died out by the Second World War, but I have personally talked with two men who were turned down on medical grounds for military service in that conflict, yet received public slagging despite the nature of their physical defects being readily apparent. Their pain in talking about their humiliating experiences was readily apparent decades later.


I met Charlotte Cameron in early 2001, when she was getting Running ready for the Edmonton International Fringe Theatre Festival, and contacted The Loyal Edmonton Regiment Military Museum. As it happened she was after a particular First World War song to be sung in the show, and as it happened I was able to sing it for her. That was the beginning of occasional collaboration over the years since. One thing quickly became abundantly clear—Charlotte wanted to get the military details right. Plays depict truth, they cannot recite it in detail. The important thing is for the playwright to understand what condensations and abstractions are necessary for the theatrical performance, but to keep the play true. Charlotte’s play Running meets that standard, and it is because she took the time to learn what Alex Decoteau’s wartime experience really involved.


I was unable to take in the 2001 production, but I made it to the first 2004 presentation. Though I knew the story, I was moved and enchanted. I was accustomed to dealing with lists of names where bits of a soldier’s wartime experience emerged, but for most of them little or nothing was known of their life before the army. Now I encountered the depiction of a real person, a complex individual of considerable achievement. And one who was ultimately sacrificed on the altar of futile tactics. For me this was much more compelling than the repetitive plays of social significance, coming of age dramas, etc. that dominate much of the contemporary theatre scene. Want grinding realism? Try the battle scenes at the end of this play!


But plays are meant to be staged, performed by living actors. Reading the script cannot convey to the reader the richness of a well-executed theatrical performance. This book, however, is much more than a script. It gives historical details of Alex Decoteau—the person, the athlete, the police officer, and the soldier. And it gives an idea of the process through which his memory was preserved and made available to future generations.


Four and a half decades ago my military duties had me from time to time perusing the pages of The Times of London for relevant articles. On those occasions I would range more widely through the newspaper from purely personal interest. I was struck by the many, many personal notices that commenced, “In proud and loving memory …” Then a name. A date just over a half century earlier in the First World War. Sometimes a few details. That answered the bitter challenge thrown out by poet (and winner of the Military Cross as a young infantry officer in that conflict) Siegfried Sassoon: “Who will remember … the unheroic Dead who fed the guns.” Many of their families do. And so it was with Alex Decoteau. You can get the feel of that from Charlotte Cameron’s book, and a sense of how the process made more details about him available when later generations began seeing him as a role model for Aboriginal youth.


The play ends with Canadian Prime Minister Sir Robert Borden’s blunt threat to his British counterpart David Lloyd George, to withhold Canadian troops if there was any repetition of the futile butchery of Passchendaele. The passage is quoted from Borden’s nephew, who witnessed the conversation, and—as a prominent Toronto lawyer years later—repeated it. That battle featured the bloodiest 24 hours in the history of the 49th Battalion (Edmonton Regiment) and its successor The Loyal Edmonton Regiment. It was then that Alex Decoteau died. This book will tell you how that happened, and what manner of man he was.

—Major (Retired) David Haas, CD, rmc

The Fool Who Invented Kissing by Doug Long ONLY IN eBOOK FORMATS

An entertaining collection of 55-word short stories by Doug Long. Featuring 96 "ShortiesTM" and 24 illustrations by Gabriola artist David Botten.

"Wonderfully witty, delightfully uplifting and clever..." Heather S.

"Very funny and very good." Millie D.

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